Ursinho Pooh, da Disney: O Novo Musical is the Brazilian version of the Winnie The Pooh: The New Musical Stage Adaptation the premiered in October 2024 at the VillaLobos Theater in the VillaLobos Shopping Mall.
A show by Rockefeller Studios in partnership with Disney Theatrical Group, the Ministry of Culture and Bradesco Seguros present in Brazil: Disney's Winnie the Pooh: The New Musical!
With life-size puppets, A duration of 70 minutes, and the entire Winnie the Pooh gang together, the show opens on October 5th at Teatro VillaLobos, in São Paulo, where it will run until November 24th.
Dínamo Realizações Artísticas, IMM and EGG Entretenimento, together with Rockefeller Studios in partnership with Disney Theatrical Group, bring a season of Disney's Winnie the Pooh: The New Musical to Brazil, entirely in Portuguese.
In a new Hundred Acre Wood story told with stunning life-size puppets through the eyes of the characters we all know and love, this stage adaptation features the classic Grammy-winning score by the Sherman Brothers with additional music by A.A. Milne. Jonathan Rockefeller, whose spectacular puppet musical has delighted audiences who have seen the acclaimed productions of The Very Hungry Caterpillar, The Adventures of Paddington and Sesame Street, writes and directs Disney’s Winnie the Pooh: The New Musical, directed by Jonathan Rockefeller. In Brazil, the show is presented by the Ministry of Culture and Bradesco Seguros and is a production of Dínamo Realizações Artísticas, IMM and EGG Entretenimento, owned by businesswoman Stephanie Mayorkis.[1]
Information About The Show[]
The magic of Winnie the Pooh is highlighted on the stage of the Villa-Lobos Theater, with the enchanting show “Disney's Winnie the Pooh: The New Musical”.
This super production, brought to Brazil for the first time, is an adaptation of the play that premiered in New York in 2021, developed by Jonathan Rockefeller in partnership with Disney Theatrical Group.
Featuring stunning life-size puppets, award-winning music and an engaging story, the musical promises to captivate adults and children alike on an emotional and visually stunning journey through the Hundred Acre Wood.
The magic of puppets and enchanting scenery
The musical surprises from the very beginning with the use of giant puppets, bringing Pooh, Tigger, Piglet, Eeyore and their friends to life in performances that combine detailed manipulation with the characters' warm, family-like personalities.
The puppets are a spectacle in themselves, bringing a magical and enchanting dimension to the show. Every detail of the set design also enchants the audience, faithfully recreating the Hundred Acre Wood with its iconic elements, such as Pooh's honey tree, and the changing seasons represented with light, color and movement effects, providing an immersive experience.
Award-winning soundtrack and new compositions[]
The show's soundtrack is a tribute to the classic music of the Sherman brothers, who composed unforgettable songs for the Winnie the Pooh films, such as “Winnie the Pooh”.
In addition to these, the musical features additional compositions, creating an atmosphere that balances nostalgia and novelty, leading the audience to relive the adventures of these beloved characters.
The songs are well distributed, with more introspective moments, such as the song “Se a Neve Cai”, and more lively and energetic numbers led by Tigrão, who dominates the scenes with his contagious joy.
A sensitive and engaging story[]
The musical's plot unfolds throughout the four seasons of the year, following the small but meaningful adventures of Pooh and his friends. From helping Piglet, who is swept away by a windstorm, to the most emotional moment of the show: the reunion of Christopher Robin and Pooh, with a message of friendship and growth.
Amidst these changes, the musical touches on deep and universal themes, such as the fear of separation and the importance of bonds of friendship, that resonate with children and adults alike.
The play reaches its emotional climax when Christopher Robin, played by Rodrigo Thomaz, has to return to school, leaving Pooh behind. The interaction between the two at the end of the show moves audiences of all ages, highlighting the beauty of simplicity and true friendship.
Child actor Rodrigo Thomaz, as Christopher Robin, creates a direct connection with children, who identify with and are moved by his character.
Direction and cast[]
With Alessandra Dimitriou as resident director, the show stands out for its excellent adaptation work for the Brazilian public, maintaining the delicacy and depth of the characters.
The cast does an exemplary job, especially the actors who give voice and movement to the characters with voices that closely resemble the Disney versions, ensuring a nostalgic experience for adults who grew up with these stories.
An experience for all ages[]
Although the show has a special appeal for children, the truth is that it is often the adults who leave most moved. The combination of music, nostalgia and the values of friendship and loyalty make “Disney’s Winnie the Pooh: The New Musical” an excellent choice for families looking for a quality experience, away from the conflicts and hustle and bustle of modern children’s productions.
Without villains or major threats, the musical focuses on small, everyday challenges, such as helping Pooh out of a tree, creating a light and engaging narrative.[2]
A show by Rockefeller Studios in partnership with Disney Theatrical Group, the Ministry of Culture and Bradesco Seguros present in Brazil the show "Winnie the Pooh: The New Musical". With life-size puppets and the entire Winnie the Pooh gang together, the show opens on November 24th and runs until November 24th at the VillaLobos Theater in São Paulo. Written and directed by Jonathan Rockefeller, the show features Arthur Berges as Pooh, Enrico Verta as Tigger, Bel Nobre as Piglet/Guru, Gui Leal as Ió/Rabbit/Owl, Carla Vazquez as Can and the little ones Rodrigo Thomaz, Nico Takaki and Mateus Vicente taking turns in the role of Christopher Robin, in addition to the swings Luana Bichiqui and José Diaz.
The performances will take place exclusively on Saturdays and Sundays, with sessions at 11:00 am, 2:00 pm and 5:00 pm. Tickets can be purchased on the website www.sympla.com.br , at the Teatro VillaLobos box office or at the Shopping VillaLobos kiosk. The show is produced by Dínamo Realizações Artísticas, IMM and EGG Entretenimento, together with Rockefeller Studios in partnership with Disney Theatrical Group.
In a new Hundred Acre Wood story told with stunning life-size puppets through the eyes of the characters we all know and love, this stage adaptation features the classic Grammy-winning score by the Sherman Brothers with additional music by A.A. Milne . Jonathan Rockefeller writes and directs “Winnie the Pooh: The New Musical.” In Brazil, the show is presented by the Ministry of Culture and Bradesco Seguros and is a production of Dínamo Realizações Artísticas, IMM and EGG Entretenimento, owned by entrepreneur Stephanie Mayorkis.
The musical brings a fresh take on beloved characters, with a charming aesthetic and a powerful central message about friendship and loyalty. While there is familiarity with the Disney animated versions, the show stands out for its own choices, both in character development and in visual and musical execution.
One of the most notable aspects is the characterization of the characters, which at times deviates from the more well-known versions. Piglet, played by Bel Nobre, maintains his fearful and anxious character, but in a way that does not paralyze him. He allows himself to enjoy adventures – such as skiing – and even asserts himself in times of need, such as when he manages to interrupt an argument between Tigger and Rabbit. This evolution makes Piglet see himself as more important, even though he is physically fragile, a contrast to the character in the Disney cartoon, who is more focused on his shyness and paralyzing insecurity.
Ió, played by Gui Leal, also goes through an interesting transformation. Known for his characteristic melancholy, the donkey in this version is more comical and less introspective, even joking about his own existence by calling himself "a donkey that brings joy" . This approach creates a pleasant contrast, since Ió is often a symbol of resigned sadness, and here we see a touch of lightness in his personality.
Tigger, played by Enrico Verta, remains faithful to the Disney version. He is hyperactive, loyal and charismatic, dominating the stage in the most lively and fun songs, occupying a prominent position in the musical. His ability to contain his energy in the name of friendship shows an emotional development that, although subtle, is touching. The audience is easily infected by his presence and joy, being one of the highlights of the show.
Winnie the Pooh, played by Arthur Berges, is one of the most faithful portrayals in Disney's cartoon. He maintains his characteristic naivety, such as when he believes that winter is a person. This simplicity reflects the essence of childhood thinking and reinforces his tenderness. The emotional reunion between Pooh and Christopher Robin at the end of the show is the emotional climax, evoking tears among the adults as they recall the purity of childhood friendships.
Christopher Robin, played by child actor Rodrigo Thomaz, is the only "real" character, not a puppet, and his presence generates strong empathy with the children in the audience. He not only represents the child who guides the animals, but also reinforces the value of friendship in a touching and universal way, especially in his final speech, which touches the hearts of adults and children alike. The choice to put a real child on stage increases the emotional connection and brings a freshness to the show.
The musical’s set design is another strong point, providing a tranquil atmosphere that harmonizes with the dynamism of the songs and characters. The use of lights to symbolize the seasons is a visually charming detail, with simple but effective transitions – such as the growth of flowers, the falling snow and the autumn wind – that capture everyone’s attention. The organic nature of these effects keeps the narrative fluid and magical.
Musically, the songs are well divided, alternating between calmer moments, such as “Se a Neve Cai”, and happier songs, especially those by Tigrão, which cheer up the audience. This variety of tones maintains the balance between serenity and enthusiasm, something that differs from the constant agitation of more modern cartoons.
Another aspect that deserves praise is the direction of Alessandra Dimitriou, who managed to renew the classic in a balanced way, without falling into the trap of visual or narrative excesses of current cartoons. The musical does not feature antagonists or grandiose conflicts, focusing on simple themes, such as helping Pooh get honey and getting it out of a tree. This slower pace is a welcome change for those looking for a more contemplative and emotional experience, away from the battles and challenges that dominate contemporary children's programming.
With a talented cast and a visually stunning production, "Winnie the Pooh: The New Musical" is an excellent choice for families, especially those with young children. However, it is the adults who will likely leave the theater most moved, impacted by the timeless message of friendship and the recapture of the simplicity and innocence of childhood.
"Winnie the Pooh: The New Musical" gracefully renews the classic, bringing a different interpretation that is deeply faithful to the spirit of the characters. Without the presence of antagonists, the play offers a light and emotional show, focused on the beauty of small things and the bonds of friendship. A must-see program for children and, especially, for adults who want to relive the magic of Pooh and his friends.[3]
The magic of Winnie the Pooh is back, this time on the stage of Teatro Villa-Lobos , with the enchanting show “Disney’s Winnie the Pooh: The New Musical” , running from October 5 to November 24, 2024. This super production, brought to Brazil for the first time, is an adaptation of the play that premiered in New York in 2021, developed by Jonathan Rockefeller in partnership with Disney Theatrical Group . With impressive life-size puppets, award-winning songs and an engaging story, the musical promises to captivate adults and children on an emotional and visually stunning journey through the Hundred Acre Wood.
The magic of puppets and enchanting scenery
The musical surprises from the very beginning with the use of giant puppets, bringing Pooh , Tigger , Piglet , Eeyore and their friends to life in performances that combine detailed manipulation with the characters' warm and familiar personalities. The puppets are a spectacle in themselves, bringing a magical and enchanting dimension to the show. Every detail of the set design also enchants the audience, faithfully recreating the Hundred Acre Wood with its iconic elements, such as Pooh's honey tree, and the changing seasons represented with light, color and movement effects, providing an immersive experience.
Award-winning soundtrack and new compositions
The show's soundtrack pays homage to the classic music of the Sherman brothers , who composed unforgettable songs for the Winnie the Pooh films, such as “Winnie the Pooh.” In addition to these, the musical features additional compositions, creating an atmosphere that balances nostalgia and novelty, leading the audience to relive the adventures of these beloved characters. The songs are well distributed, with more introspective moments, such as the song “If It Snows,” and more lively and energetic numbers led by Tigger , who dominates the scenes with his contagious joy.
A sensitive and engaging story
The musical unfolds throughout the four seasons, following the small but meaningful adventures of Pooh and his friends. From helping Piglet who is swept away by a windstorm, to the show's most moving moment: the reunion of Christopher Robin and Pooh, with a message of friendship and growth. Amidst these changes, the musical touches on deep and universal themes, such as the fear of separation and the importance of friendship, that resonate with both children and adults.
The play reaches its emotional climax when Christopher Robin, played by Rodrigo Thomaz , has to return to school, leaving Pooh behind. The interaction between the two at the end of the show touches audiences of all ages, highlighting the beauty of simplicity and true friendship. Child actor Rodrigo Thomaz , as Christopher Robin, creates a direct connection with children, who identify with and are moved by his character.
Impeccable direction and cast
With Alessandra Dimitriou as resident director, the show stands out for its excellent adaptation for Brazilian audiences, maintaining the delicacy and depth of the characters. The cast does an exemplary job, especially the actors who give voice and movement to the characters with voices that closely resemble the Disney versions, ensuring a nostalgic experience for adults who grew up with these stories.
An experience for all ages
Although the show has a special appeal for children, the truth is that it is often the adults who leave most moved. The combination of music, nostalgia and the values of friendship and loyalty make “Disney’s Winnie the Pooh: The New Musical” an excellent choice for families looking for a quality experience, away from the conflicts and hustle and bustle of modern children’s productions. Without villains or major threats, the musical focuses on small, everyday challenges, such as helping Pooh out of a tree, creating a light and engaging narrative.[4]
“Disney’s Winnie the Pooh: The New Musical” enters its final performances at the VillaLobos Theater in São Paulo, with sessions until November 24, 2024 .
The show, which enchanted children and adults, is a production by Dínamo Realizações Artísticas , IMM , EGG Entretenimento and Disney Theatrical Group , with life-size puppets and classic music by the Sherman brothers .
The plot presents a new story in the Hundred Acre Wood , with Pooh and his friends facing adventures and challenges. The story begins when Pooh finds himself without honey and without his friend Christopher Robin , who returns to school. The musical is full of emotional moments, such as the destruction of Eeyore 's house , Piglet 's despair and Rabbit 's confusion with his rules. In the end, Christopher Robin returns to say goodbye and receives words of encouragement from Pooh.
Directed by Jonathan Rockefeller , the musical is an adaptation of the hit New York show and has toured the UK , Japan and the Netherlands . Performances take place on Saturdays and Sundays with tickets available online and at the theater box office. Don't miss your chance to see this magical story on stage![5]
Crew[]
- Written and Directed by: Jonathan Rockefeller
- Lyrics and music: Sherman Brothers, AAMilne
- Additional Writer: Nate Edmondson
- Translation: Victor Mühlethaler
- Resident Director: Alessandra Dimitriou
Cast[6][]
- Arthur Berges as Pooh
- Enrico Verta as Tigger
- Ana Araujo as Piglet/Roo
- Gui Leal as Eeyore, Rabbit, and Owl
- Aline Serra as Kanga
- Rodrigo Thomaz, Nico Takaki, and Mateus Vicente as Christopher Robin
- Swing: Luana Bichiqui (women's swing) and José Diaz (men's swing)
Gallery[]
Videos[]
Links[]
https://passeioskids.com/ursinho-pooh-passeios-kids/
https://viajandoparanovaiorque.com/attraction/winnie-the-pooh-the-new-musical-adaptation/
https://canalteatromf.com.br/arthur-berges-tive-de-aprender-a-ser-doce-para-fazer-o-ursinho-pooh/
https://saopauloparacriancas.com.br/ursinho-pooh-da-disney/
https://abcdoabc.com.br/evento/ursinho-pooh-da-disney-o-novo-musical/
https://www.cenamusical.com.br/coletiva-de-ursinho-pooh-da-disney-o-novo-musical/
https://www.leoaruiva.com/2024/11/sucesso-de-publico-ursinho-pooh-da.html
https://www.arteview.com.br/musicais/arteviewnaplateia-review-do-musical-ursinho-pooh/
References[]
- ↑ https://bileto.sympla.com.br/event/95944?utm_source=botaosite&utm_medium=botaosite&utm_campaign=botaosite&utm_id=botaosite&utm_term=botaosite&utm_content=botaosite
- ↑ https://vivaacidadenews.com.br/events/ursinho-pooh-da-disney-esta-no-teatro-villa-lobos/
- ↑ https://www.resenhando.com/2024/10/ursinho-pooh-em-cartaz-no-teatro-villa.html
- ↑ https://dicadeteatro.com.br/ursinho-pooh-da-disney-o-novo-musical-traz-magia-e-nostalgia-ao-teatro-villa-lobos/amp/?fbclid=PAZXh0bgNhZW0CMTEAAabLsuDVXjvTncrIewi1O0fxE6NdGyQekBSipOhAmhuc83fp4Z1jv6-7Bhk_aem_lOx3gy3swJucg3JP7JFwoA
- ↑ https://www.arteview.com.br/musicais/ursinho-pooh-o-novo-musical-em-ultimas-apresentacoes/
- ↑ https://www.instagram.com/p/C9Ne2a0uuEX/?utm_source=ig_web_copy_link